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Archive of selected Georgian street art works. 2021-2023.

Index_Georgia About project Back to top Archive of selected Georgian street art works. 2021-2023. The modern subculture of tagging gained prominence in the mid-1960s, first emerging in Philadelphia and then moving to New York before eventually spreading worldwide. During the early 1980s, galleries began embracing graffiti-inspired work, with artists like Keith Haring and Jean-Michel Basquiat bringing street aesthetics into the mainstream art world. The actual term “street art” entered broader usage from the late 1980s onward, by which time various styles of the practice had already appeared. Today, it is a powerful movement with a wide range of techniques practiced by a multitude of artists working around the globe. Nowadays, street art methods of expression are acknowledged as a full-fledged form of modern culture, but the level of formal acceptance varies widely worldwide. More than half a century has passed since the rise of name-based tagging, pioneered by Darryl McCray — better known as “Cornbread.” What began on city walls has now entered galleries and museums, contributing to its establishment as a distinct and complex contemporary art form. Until recently, little known to the global street art world, Georgia has built a scene with a full range of contemporary techniques. Abstract lettering and stencil work, murals, optical illusions, digitized video projection, and various figurative techniques are part of the ways Georgian artists diversify the urban environment. Mostly through a mix of murals, graffiti, and stencil art, city streets are actively showcasing their constantly evolving visual identity. Mural painting is popular in Georgia, and many works are large-scale murals that cover entire buildings. Artists approach each facade thoughtfully, considering the surface, the structure, and the context of the surrounding neighborhood. The stencil art technique involves creating cut templates made out of different materials: paper, cardboard, or other

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